Mobile Studios as Sites of Transnational Feminist Pedagogy and Creative Resistance

Authors

  • Pin-Hsuan Tseng The Pennsylvania State University Author
  • Ann Holt The Pennsylvania State University Author

Keywords:

studio, mobile, tent, transnational feminist pedagogy, transnational storytelling, creative resistance, activism, healing

Abstract

Reconceptualizing the studio from a conventionally bound, gendered, and privileged space into a mobile environment that cultivates personal and pedagogical introspection, two art educators interweave a transnational feminist lens in unpacking a patriarchal studio concept. Their stories represent how the studio can exist, as a mobile space that can be accessed, claimed, and transformed into a transnational feminist pedagogical site for creative resistance demonstrating that the mobile studio has much potential for transnational feminist pedagogy in art education. Conceptualizing a studio as a space for healing, reflection, and creativity in a lush forest glen was a catalyst for an empowered artwork, Yellow Tent, which challenges rigid borders and emphasizes multi-place, mobility, self-reflection, and storytelling toward transnational feminist activism and community-building.

Author Biographies

  • Pin-Hsuan Tseng, The Pennsylvania State University

    Pin-Hsuan Tseng (曾品璇), a Ph.D. Candidate in Art Education with minors in Women’s, Gender, & Sexuality Studies and Curriculum & Instruction at Penn State University. She has received awards internationally, including 2025 Art Education Research Institute (AERI) Honorable Mention Dissertation Award, 2024 Pennsylvania Art Education Association Fellows Clyde M. McGeary Scholarship, 2024 Dr. John Roe Sustainability Impact Award (USA), 2024 Ecology and Environment Interest Group Award from the National Art Education Association (USA), the 2024 a2ru Scholar Award, 2023-2024 Dorothy Hughes Young Endowed Scholarship for Music and Art Education Award, 2024 PSU Student Leadership Scholarship, and 2015 Outstanding Art Star in Teaching (Taiwan). She has published in the journals, Research in Arts Education (藝術教育研究) and Visual Arts Research.

    Contact: pxt5200@psu.edu

  • Ann Holt, The Pennsylvania State University

    Ann Holt (she/her) is an assistant professor of Art Education and Women’s, Gender, & Sexuality Studies at the Pennsylvania State University. Her research explores issues of access to archives and marginalized histories of art education as well as the role of arts and culture in development. She serves as an advisor and artist teacher with ArtsAction Group, an international community-based collective of arts educators, art therapists, artist teachers, and educators committed to facilitating arts initiatives with children and youth in conflict-affected environments. She is Co-Editor-in-Chief of the journal Arts, Culture & Development and serves on the review boards of several journals in art education, including Visual Culture & Gender. She is co-editor of the book Arts and Culture in Global Development Practice: Expression, Identity, and Empowerment, from Routledge UK’s Rethinking Development Series. She serves on the boards of the National Art Education Association (NAEA) Coalition of Feminisms in Art Education and the Histories & Historiographies of Art Education as well as the NAEA liaison to New York State Art Teacher Association’s Equity, Diversity & Inclusion task force.

    Contact: aeh227@psu.edu

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Published

2025-09-15

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